Album Review: Venia - I've Lost All Faith in Myself

Band: Venia
Release: I’ve Lost All Faith in Myself
Label: Blood & Ink
Release Date: November 2010
Review By: BMer

Track Listing:

1. Crux
2. Mouth of a Liar
3. Numbers Game
4. The Call
5. Calloused

Minnesota is having a great year in music, already boasting quality releases from Your Memorial and Blank Page Empire, now we get a 5-song EP from Venia titled “I’ve Lost All Faith in Myself.” Released through Blood & Ink Records who are also having quite a year having released another great hardcore EP with Dependency’s “Convicted”, Venia are on-point with their spirit-filled hardcore. If you haven’t checked out Venia already then this would be a great place to start.

Venia represent hardcore music to the fullest, they tour constantly throughout the year and they still find time to record a solid record, they’re one of the hardest working bands out there. The band is still playing the smaller venues, and sometimes when those shows get cancelled Venia will find a house to play at. With so many bands these days decided to add a little metal to their sound, or maybe dance beats, Venia keeps it real and authentic with punk drumming, breakdowns and gang vocals, there are no gimmicks here.

The opening track “Crux” expands on the title of the EP (I’ve Lost All Faith in Myself), talking about not putting faith in the things of this world “faithless in what I thought had worth / Faithless in the things of this earth!” The gang vocals on this opening track just enhance the importance of the message, something that the hardcore scene desperately needs. Venia play such quality hardcore, and play with some other hard-working hardcore bands, that it’s easy for them to get in the door and share their message with the kids. This message isn’t just “positive hardcore”, but faith-based hardcore, they don’t water down the message in order to be accepted, you clearly hear the name “Christ” on the track “Calloused”, something you don’t find with many “Christian” bands.

The next two songs, “Mouth of a Liar” and “Numbers Game” continue the urgent pace laid out by “Crux”. “Mouth of a Liar” features the best drumming on I’ve Lost All Faith in Myself while “Numbers Game” takes a serious look about those who mislead, the scenario that is written about here could be applied to quite a few different “leaders” today. Each song on I’ve Lost All Faith in Myself features a solid breakdown and a chance to sing along, but all of the songs seem to be in support of “The Call”, the best track on the EP.

“The Call” features duel vocals between Venia frontman Chad Urich and the original vocalist for Strongarm Jason Berggren. Jason actually co-wrote the song and leads off the song with “This is the call / a time for reckoning!” This song could not get any better, the breakdown which starts with spoken words “Sear this on your conscience and brand it on your heart / for the faithful there is a promise / a sacred trust of salvation / never forget and never give!” leads into the high-point of the song, gang vocals repeatedly shouting “I will not deny!” “The Call” could easily be the closer to Venia’s live set, and I wouldn’t be surprised to see them playing “Crux” live as well.

OVERALL I’ve Lost All Faith in Myself is quality hardcore. Venia are leading the charge, bringing hardcore back to the forefront. I’m not sure there has been a faith-based hardcore band playing this well since Stretch Arm Strong, Strongarm and Comeback Kid (back when everyone thought they were a Christian band). For those fans of “tough-guy” hardcore like Sick of it All, Shai Hulud, Madball (and on and on…) you need to be listening to Venia and like I stated earlier, I’ve Lost All Faith in Myself is a great place to start!

Reviewed for Indie Vision Music

Show Recap: Haste the Day @ Marquis Theater

Tour: Haste the Day Farewell Tour
Date: 1/31/2011
Venue: The Marquis Theater (Denver, CO)
Reviewer: BMer

After 10 years in the business Haste the Day have decided to call it quits. But before they leave us fans they put together one last tour trying to hit all of the cities they hadn’t hit in the past six months. Thankfully Denver was on that list, unfortunately though we would not be getting the full lineup for the tour which featured Mychildren Mybride, A Plea for Purging, and The Chariot in support. The Chariot were finishing off another tour and are joining this tour on the Seattle stop.

This was sort of a home-show for Haste the Day. The original band members all hailed from Indianapolis, therefore that’s technically considered home for HTD and where they will be ending this tour. But the lineup as of now features Stephen Keech on vocals and Dave Krysl on guitar, both played together previously in Denver-based New Day Awakening. The show eventually sold out and throughout the set, fans of New Day Awakening were in full-voice requesting songs from the old band. Stephen talked about that band a little but joked that this current lineup doesn’t know any New Day Awakening songs.

Haste the Day opening the set with “68” off of Dreamer. Stephen was sporting a very short haircut and beard looking somewhat like a mountain man rather than the frontman for a metal band. The band was full of energy and so was the crowd, “68” was nuts and they followed that up with “The Place Where Most Deny” which went over pretty well. Obviously most fans of Haste the Day know there is quite a difference in sound and feel from old Haste the Day (Burning Bridges and When Everything Falls) to the recent releases like Dreamer and Attack of the Wolf King. Most of the older songs really hit hard, the crowd was much more energetic for the older songs which feature straight-forward breakdowns. The first chance they got was the third song in “Blue 42” and sure enough the crowd went crazy.

Throughout the evening Stephen led the band through a few slower tracks, something they’ve been doing over the past few tours playing songs like “An Adult Tree” and “Autumn”, this time they played “White As Snow” and “My Name is Darkness”. While these songs are pretty cool and a nice contrast to the heavier stuff, everyone just kind of stands there and doesn’t know what to do. After they played “My Name is Darkness” they left the stage before coming back out for the encore. They opened the encore with “Chorus of Angels” which went over really well. After that Stephen could sense the restless in the crowd (2 slower songs and a break) and said “don’t worry, we’ll get back to breakdowns soon.” They closed the evening with “When Everything Falls” and it got rowdy.

There were at least 6-7 kids ejected from the venue during Haste the Day’s set, they were thrown out for fighting. I’m not sure if Stephen is giving this speech every night or if he noticed the excessive violence this evening, either way he gave a 5-minute talk about the hardcore scene and how people claim “it’s all about love, but then they go attack someone. There’s no love in that.” From there he talked about the band’s faith in Christ and how kids need to put their faith in the Truth, and not in the hardcore scene. It was great to hear him speak about love and Christ and it was well received by the crowd.

They played through most of the regular songs including “Blue 42”, “Stitches”, and “Mad Men”. They also played some songs that they don’t always play like “American Love” and “Needles”. Three times during the set the crowd voted between songs, the first time we chose “Walk On” over “Fallen” (I voted for Fallen), the second time we chose “Travesty” over my favorite new track “Dogs Like Vultures”, and the last time we chose “Pressure the Hinges” over “Needles”, however Stephen really wanted to play “Needles” so he went with that. “Pressure the Hinges” was probably the only song that everyone expected to hear but didn’t. From their latest album they played “The Place That Most Deny” and “Travesty”, I wish they would have dropped “The Place…” and played “Dogs Like Vultures” instead, but I can’t complain, it was a solid set.

The supporting acts this evening were Mychildren Mybride and A Plea For Purging, A Plea played first with a solid set featuring “Silent Sick America”, “Shiver”, and closed with “Malevolence”. Throughout the set front-man Andy Atkins encouraged the crowd to complete 300 stage-dives. He said that Denver was the rowdiest crowd so far on the tour, but he “measures his fun level in stage-dives.” Later he dogged on Mychildren Mybride, who were playing next, and asked that someone in the crowd skip their set and take him to get a burrito from Illegal Pete’s (in Boulder), if they did “he’d be forever their dude!” Well it happened and they got their burritos. He did let the crowd know that he was joking about Mychildren Mybride and that they are “the best dressed band on the tour.”

Mychildren Mybride played next and had the crowd ramped up. The band is an interesting mix of dudes that look like metal-heads, sounds like metalcore, and talk like a hardcore band, always encouraging the band to two-step, and featuring more gang-vocals than the other bands on tour. The kids were climbing over each other for a shot to sing on the mic. They played most of the songs they’ve been playing for the past year including “Terra Firma”, “Wings of Integrity” and closed with the fan-favorite “Headshot!”. They also added “King of the Hopeless” to the set and it went over great.

It was a solid show, the crowd was very energetic and the venue was packed despite the fact that it was -10 degrees outside. Most of the band-members hung around after the show and talked with the kids, John from A Plea For Purging was rocking some huge sword for some reason, and Haste the Day were selling shirts to commemorate their final tour. The only thing that could have made this evening better would have been Haste the Day playing their cover of “Meet Me Halfway” with a cameo from Fergie.

Images by Scott Lenger

Reviewed for Indie Vision Music

Album Review: Thi'sl - Unreleased Chronicles

Artist: Thi’sl
Release: Unreleased Chronicles
Label: X-Hustler Music
Release Date: November 2010
Reviewer: BMer

Track List:
1. Yung Hayte – Intro
2. I’m a Rider (Feat. Soul)
3. Father Help Us
4. Rocked by Grace (Feat. Matt Vollmar of The Great Romance)
5. Get Low (Limbo)
6. Dopeman
7. Wake Up Soldiers (2002) (Feat. Flame)
8. He Gone (Tank)
9. Yung Hayte – Life’s Hard
10. Parade
11. Lift Him High (Feat. Pastor AD3)

Unreleased Chronicles is Thi’sl’s third release, his first since his very successful album Chronicles of an X-Hustler. Unreleased Chronicles is not new material, all of the tracks are previously unreleased songs except “Parade” and “Lift Him High”(which are new), and there are also three bonus tracks you can download from Thi’sl website to add to Unreleased Chronicles.

With only 11 tracks Thi’sl does not waste much time bringing the goods. Track 4 “Rocked By Grace” features a real rock feel thanks to a guest spot by Matt Vollmar of the worship band The Great Romance. The whole track feels somewhat like a Linkin’ Park joint with verses that are rapped over a big rock band feel and a very catchy chorus. Track 7 is called “Wake Up Soldiers” and was the first track Thi’sl and Flame ever recorded together, which was back in 2001. The track features very cool music that sounds somewhat like some old-school nintendo soundtracks. “Get Low (Limbo)” is an energetic head-boppin’ track where Thi’sl talks about staying grounded:

“can’t get puffed up, like vice grips gotta stay tightened up, prisoner of the Christ so I stay cuff’d up…I gotta murder my pride, can’t let the thing bubble-up inside, low like four flat tires, low like the tail-pipe on my ride… we lift Him high but you know we gotta stay Low. “

The best track on Unreleased Chronicles is the anthem “Parade”, one of two new songs on the album. The horns bring the energy while the beat has that krunk-music feel that makes you wanna to the “big money dance”. The song talks about how Thi’sl lived a rough life in the hood hustling everyday and how he celebrates every day he’s alive:

“any day I live is enough to celebrate, could be sleeping in the pen could be layin’ in the grave. Coulda hit me with a case, coulda hit me “k”, that’s why any day I live man it feel like a parade.”

An album featuring works that did not make it the first time around is not without it’s weak moments. Maybe the most notable is the second track “I’m A Rider” featuring Soul. It is surprising to see this track so early on the album, the chorus is rather annoying. Soul’s vocals just sound off, like either the notes are out of his range or the production failed to give him any help. Another weaker track is “Dopeman”, a song with good intentions but failed to leave an impression.

Yung Hate fills in the gaps on the album, first on the intro leaving a voicemail in Thi’sl’s machine and then later on “Life Is Hard” where gives us a glimpse of one his own songs. “He Gone” is a heartfelt tribute to a friend (Tank) who was apparently killed. The song paints some chilling images of life in the game;

“I wish my boy coulda seen me rep Christ / he went crazy when he seen me rock mics / I flipped out when I seen him that night / on the table laid up with no life / this the reason I’m giving my life / to see cats come in to the Light/”

OVERALL Unreleased Chronicles is a solid collection of tracks that didn’t make the original cut. Some of the tracks are excellent like the news ones “Parade” and “Life Him” as well as “Get Low (Limbo)” and some of the tracks were probably cut for good reason, they just don’t make an impact. If you like energetic rap with a gangster feel and honest, Glory to God lyrics you should check out Unreleased Chronicles.

buy here

reviewed for Indie Vision Music

A Musical Adventure - Dan Smith

I recently reviewed the latest The Chariot album titled Long Live for Indie Vision Music. The album is amazing, The Chariot are one of the most creative bands in the scene today and their album was full of surprises and creativity. One of the best tracks on Long Live is titled "David De La Hoz", in middle of the track there is a verse performed by Listener. This is where our adventure begins, watch the music video for "David de la Hoz":



The video was filmed live and in one take, pretty impressive! Anyway, now you've seen the crazy spoken-word portion of the song, performed by Dan Smith of Listener. We thought it was interesting so we looked into Listener a little more and found some of his spoken-word stuff which is incredible. Here's a video of Listener:



Dan Smith seems to be a pretty good wordsmith, where did he get that talent? Well, more research takes us to his hip-hop group; a very popular Christian group called Deep Space 5. Yes, Dan Smith is in Deep Space 5 long before he was doing cameo's in The Chariot's videos, here's one of their tracks from their 2010 release The Future Ain't What It Used To Be titled "From the Outside":

Deepspace 5 "From the Outside" from Nathan Corrona on Vimeo.

Yes, that was Dan Smith in there throwing down some verses. Here's an interview with Dan Smith about the video, Listener, and Deep Space 5 which was done by fellow IVM writer JoshH.

DAN: I got started just writing a lot of rap music. I was really into writing rap music and rap songs and raps. In junior high and high school I thought that genre was really interesting to me, so I made it a lot, and was in several groups and put out a lot of albums, and did that a lot. And then out of college I was in a project called Deepspace 5. Tooth & Nail put an album out that we made and that led to some touring and we did that, and after awhile I just really got unimpressed by that genre and I just wanted to do something else, and there’s a lot of musics that are more interesting to me to make that express the feelings that I want to make and feel and give out and feel and make, so over the course of several years just sort of moved into a different direction.

I thought that was pretty cool, i also thought the other white dude in aviators in the video was pretty good, who is that? That dude goes by the name Playdough and he just released an album in 2010 called Writer Dye, which is a collection of hip-hop songs where each song borrows from a classic song in the past, from bands like Nirvana, Modest Mouse, Kings of Leon...

You can get the album here for free (or if you want to donate you can do that as well).

Now you've listened to a wide range of music and you get to go home with a free album! Scott Lenger did most of this research for us, good work Scott!

An Introduction to Christian Metalcore

I met a new friend the other day and i was telling him about how i write for IndieVisionMusic.com . He seemed genuinely interested and when i saw him later was asking me about what bands he should check out. I recommended As I Lay Dying, August Burns Red, and Haste the Day, but i couldn't just leave it at that, i had to make him a mixtape. Here's the mix i made him that (hopefully) represents Christian metalcore/hardcore and get him interested in heavy music:

1. As I Lay Dying - "Separation"
2. As I Lay Dying - "Nothing Left"
3. August Burns Red - "White Washed"
4. Oh Sleeper - "Son of the Morning"
5. Haste the Day - "Pressure the Hinges"
6. Means - "The Promise"
7. Gwen Stacy - "The First Words"
8. For Today - "Devastator"
9. A Plea for Purging - "Malevolence"
10. War of Ages - "All Consuming Fire"
11. I Am the Alpha and Omega - "The Bride"
12. Hundredth - "Desolate"

I figure from this playlist he can tell me what he likes or dislikes and go from there. What do you think of this list? Do you have some better recommendations? let me know...

Album Review: The Chariot - Long Live

Band: The Chariot
Album: Long Live
Label: Good Fight Music
Release Date: 11/22/2010
Reviewer: BMer

Tracklist:

1. “Evan Perks”
2. “The Audience”
3. “Calvin Makenzie”
4. “The City”
5. “Andy Sundwall”
6. “The Earth”
7. “David De La Hoz”
8. “The Heavens”
9. “Robert Rios”
10. “The King”

Well, i think we all know what to expect here. The Chariot have released their fourth full-length album, their first with their new label Good Fight Music, and it’s titled Long Live. The Chariot and their brand of rock/metal is somewhat difficult to review considering there aren’t many bands producing similar art. The band boasts a loyal following who will no doubt love this album, and for those listeners who are new to The Chariot, well, as the bumper sticker says “get in, sit down, shut up and hold on!”

The rumors leading up to this release were that The Chariot would be recording the album live to analog, as opposed to digitally via Pro Tools. You can hear this on most of the record, however i cannot confirm whether the whole album is indeed recorded live at this time. Regardless of how the album was recorded, Long Livesounds like a live performance caught on tape, there is space and air in the music, you can hear a lot of the nuances of the instruments. And while The Chariot rarely do the same thing twice, this is the first album where it really feels like they are achieving what they set out to do. As usual, nothing is predictable, you listen to songs over and over again and each time you discover something new. Songs like “The City” with it’s clean melodic choir vocals or Listener’s poetic verse in the middle of “David De La Hoz” are just a few examples of the surprises you find on Long Live.

Lyrically Josh is really on his game here. Most of his songs are probably open to interpretation but a few tracks have some outright messages, like on “Andy Sundwall” where Josh lays it out “I am NOT saying we’ve got it all figured out but why accept silver when you’ve given gold?” “The City” is a call to arms where Josh’s delivery is so passionate and gripping “If I leave this earth tonight may it be said that I spoke my peace, I spoke with the wrath of His grace. Calm rose. Come violent wind. Oh we stand hand in hand and we walk without fear. THIS IS A REVOLUTION!“ There are many instances of Josh changing his delivery and adding either some southern twang (“The Audience”) or his almost winded delivery provides so much emotion that it’s palpable like on “David de la Hoz” where he runs-on “Its the impossible act of building up bridges much faster then they burn. Stay, because I can’t afford the differences shadowing my heart and what good is a sinner if we haven’t got grace?”

What can you say about The Chariot that hasn’t already been said? Enjoying the chaotic heavy music The Chariot produce is like learning to love coffee, at first it is bitter and abrasive, but after awhile you learn to love without needing sweetener.Long Live is everything that fans want, it’s heavy and powerful, you could describe the same way you describe everything about the band; controlled chaos, slow-burn, an orchestrated car-wreck, relentless, jarring, brutal… Frontman Josh Scogin usually describes their work as “art”, and with art he says we should never compromise. It’s important to understand that The Chariot is just that, art, it’s not built on preaching a message, or displaying musical talents, or some other reason for producing music that you might find with other bands in heavy music. Sure the message on Long Liveis important, yes all of the members of The Chariot are impressive with their musical talents, but everything about The Chariot seems to be about breaking through limits, looking at how things are supposed to be done and then doing them a different way.

OVERALL Long Live is the best album The Chariot have put together so far. Some songs stand out as favorites, like “The City” and “David de la Hoz” and other songs provide support in their own chaotic ways. Lets be honest here, most fans would say that if you don’t like it, it’s because you don’t understand it. This is experimental hardcore that is currently standing alone on top of the mountain made with predictable, water-downed hardcore bands. Long Live is the closest thing to The Chariot’s live show you can get without actually leaving your house, and their live show is best thing going today.

written for IndieVisionMusic.com

Show Recap: August Burns Red @ Summit Music Hall

Well we finally got to check out the newest live music venue in Denver, the Summit Music Hall, where we caught the AP Tour featuring Bring Me The Horizon and August Burns Red. Tahoe came a little late in the evening so i got to check out the venue on my own for awhile and it's pretty nice. first though, the negatives; located on Blake Street makes is super tough for parking, and expensive. i found a lot that was $5 for the evening which isn't bad, but other venues in Denver you can find spots on the street for free. I had to park about 7 blocks away and that made for a long walk in the rain too, which was alright but would have sucked if it was in the snow.

The venue is bigger than the Marquis and Cervantes, but not as big as the Fillmore, probably right in-line with The Gothic Theater. You can see the stage from the bar which is nice, and the bar is an island so even though there were tons of punk-rock jocks and meatheads clogging up the bar stools, it wasn't tough to get service. Drinks were a little pricey for a rock show, $6 for a PBR tall-boy hurts the poor punk rockers. There is an upstairs but there's nothing up there but a railing and some seats, so it's basically a ledge to house more kids, and that works well, everyone has a good view. The sound was pretty good, very loud but the vocals weren't mixed well so i'm not sure if thats a venue issue, or the mixer dude, or something else. Security was tight, and there was a barrier between the kids and the stage which gets a "boo" in my book, totally lame. Otherwise, it'll be a good venue for bands that are too big to play a bar, but can't fill up a large venue like the Fillmore (think Anberlin, As I Lay Dying, underOATH, The Devil Wears Prada...)

As for the bands, the AP Tour lineup might be the worse lineup ever conceived. Opening the show was This Is Hell, one of my favorite bands with their throwback style of east-coast punk hardcore. The crowd hated them (more later...). Next was Polar Bear Club, a kind of melodic punk softcore group that was like night-and-day received better from the crowd. then Emarosa who, in my opinion, was awful. Sure they're talented and the lead singer can really sing, but thats the problem, this wasn't a group of singing bands, this was heavy music. Emarosa is straight-up radio rock, or mall-rock, wannabe arena-rock. That was tough to suffer through, but i give them a little credit; the lead singer had the flu and he still toughed-out a full set.

The headliners were Bring Me the Horizon, supported by August Burns Red. I have to admit that i haven't listened much to Bring Me the Horizon so Tahoe and i left before their set. August Burns Red was solid, as they usually are. They're so tight with their live performance which is pretty incredible considering how technical their music is. lead singer Jake is versatile and energetic, switching his vocals between higher-pitched yelling to low low-pitched growls. He passed the mic quite a big to keep the crowd involved, and at one point, i think during "Thirty and Seven" or "Back Burner" he instructed the crowd to crowd-surf to the stage and sing along. Not many people tried, but it was worth a shot.

August Burns Red played a typical set including songs like "Composure", "Meddler", "Truth of a Liar" and "Mariana's Trench". They also added "Escape Artist" and "Indonesia" two songs i don't think i've seen them perform live. They opened the show with some techno dance stuff that got the crowd pretty amped up, and then played right into "Composure". Near the end of their 45-minute set, i believe right after "Thirty and Seven", Matt Grenier (drummer) played a drum-solo for about 5 minutes. it's also entertaining to hear solos at shows, the only other one i've seen was from As I Lay Dying. The solo was impressive, not amazing though, and that lead right into "White Washed" for the closer. I've never seen them play "White Washed" and it was awesome, one of my favorite songs.

August Burns Red are finishing up a great 2010. Coming off lasts years release of Constellations, this year the band released a live dvd of a hometown show, which they called Home. It's gotten a lot of praise and that released coincided with the AP Tour (AP Magazine) where they graced the cover of AP Magazine and supported Bring Me the Horizon for the tour. Great year, this band is only going to get bigger and more popular. I wish that Jake would have talked a little about their faith during the Denver show since the crowd was very diverse and there were plenty of people who would benefit from hearing about Christ, but i understand that giving a little speech or testimony every night of a tour can be tough.

Back to This is Hell, the opener. For their set i sat at the bar enjoying a nice PBR. Two meat-heads came and sat next to me and proceeded to tear-down TIH for the entire set. i found them so typical, so easy to type-cast, and they were hilarious. The main guy was about 6'5'', probably my age, pretty ripped wearing his too-tight Underoath t-shirt. they both ordered mixed drinks and proceeded to rip This is Hell. ultra-original comments like "this IS hell" and "go back to New York!" showed how cool they were as they oogled every female that walked by. Foul language never bothers me, but it was funny to me that this dude was swearing non-stop will sporting a Christian-band's t-shirt saying things like "this band is so bad it's making me drink, so now i'll be wasted so i can $@%& people up in the pit during August Burns Red." Really? sad.

For more on punk-rock jocks and why most punk rockers hate jocks you could check out Good Riddance's "Salt" or Assorted Jelly Beans' "Punk Rock Jock". There's a reason why people go to shows, and to each his own, but i find that going to shows to get drunk and fight people in the pit is the lowest reason, and that earns you the least respect. This dude was one of the main reasons i wished Jake from ABR would have taken a second to talk about his faith, just to put things in perspective.

The show was fun though in the end. I got a kick out of the meat-head at the bar as i stood singing along with This Is Hell. I don't expect many people to enjoy TiH's style of punk rock, its an acquired taste and it helps to enjoy east-coast hardcore bands like Warzone and Madball to really understand what This is Hell is all about. August Burns Red was awesome, so talented.

Good Riddance - "Salt"

Don't be alarmed please don't take it personally

But you're acting out on everybody here

You're ability your virility's in doubt

So one more time you clench your fists

Scream and shout

You high-five your friends

Like you're jocks at a football

It seems you don't know when to quit

The crowd stares in silence

As you practice violence

To show you're the king of the pit

What now we're sick of it

So now no one goes

To the front at shows anymore

Because we don't want to be

Kicked in the head

Or punched in the nose

We don't care where you're from

We don't care what set you claim

Why don't you get involved

You don't even know our names

Any scene worth it's salt

Would vilify aggression

It seems that aggression's all you know

So stop throwing your fists

Put out your hand

Participate in the show

Here we go!