The Stick Tight Tour came through Denver to the Marquis Theater featuring Terror, an iconic hardcore group thats been around for quite a long time. Supporting Terror were Stick To Your Guns, Trapped Under Ice, Close Your Eyes, and Your Demise.
Stick To Your Guns - This Is More breakdown
Your Demise opened the show with a solid set. The dudes are from England and have a good blend of melodic hardcore, mostly aggressive sounds with a few clean choruses thrown in. After that was Close Your Eyes, the Christian melodic hardcore punk group on the tour. The were definitely the odd band of the tour, not only because they have more of a punk sound and more melody, but also because they're outspoken Christians. They talked about their faith before playing their last song which was Song For The Broken. The crowd wasn't really into CYE but that didn't stop the band from being very energetic and confident. The crowd did get to the stage to help sing Song For the Broken "This is my worship, this is my life - to bring hope into this broken world!"
Close Your Eyes - Digging Graves
Close Your Eyes - new song
After that was Trapped Under Ice, a hardcore band from Baltimore that i have never really been into. i've seen them a few times and they definitely bring the energy and the crowd loves them, but they're just not my style. Stick To Your Guns was up next and they're always good. They sang most of their popular songs "Enough is Enough" and the singer talked about how seeing a girl he was friends with growing up, die from being hit by a drunk-driver. this incident pushed him to become straight-edge. During the song a serious fight broke out, and while the security was clearing everyone out, the band had to stop. The singer then talked about how hypocritical it is that straight-edge kids always seem to fight during that song. It was a good lesson, i wish kids would listen.
Stick to Your Guns - What Goes Around
Stick To Your Guns - Some Kind of Hope
We didn't stay long for Terror, but the place was packed and pumped up.
After 10 years in the business Haste the Day have decided to call it quits. But before they leave us fans they put together one last tour trying to hit all of the cities they hadn’t hit in the past six months. Thankfully Denver was on that list, unfortunately though we would not be getting the full lineup for the tour which featured Mychildren Mybride, A Plea for Purging, and The Chariot in support. The Chariot were finishing off another tour and are joining this tour on the Seattle stop.
This was sort of a home-show for Haste the Day. The original band members all hailed from Indianapolis, therefore that’s technically considered home for HTD and where they will be ending this tour. But the lineup as of now features Stephen Keech on vocals and Dave Krysl on guitar, both played together previously in Denver-based New Day Awakening. The show eventually sold out and throughout the set, fans of New Day Awakening were in full-voice requesting songs from the old band. Stephen talked about that band a little but joked that this current lineup doesn’t know any New Day Awakening songs.
Haste the Day opening the set with “68” off of Dreamer. Stephen was sporting a very short haircut and beard looking somewhat like a mountain man rather than the frontman for a metal band. The band was full of energy and so was the crowd, “68” was nuts and they followed that up with “The Place Where Most Deny” which went over pretty well. Obviously most fans of Haste the Day know there is quite a difference in sound and feel from old Haste the Day (Burning Bridges and When Everything Falls) to the recent releases like Dreamer and Attack of the Wolf King. Most of the older songs really hit hard, the crowd was much more energetic for the older songs which feature straight-forward breakdowns. The first chance they got was the third song in “Blue 42” and sure enough the crowd went crazy.
Throughout the evening Stephen led the band through a few slower tracks, something they’ve been doing over the past few tours playing songs like “An Adult Tree” and “Autumn”, this time they played “White As Snow” and “My Name is Darkness”. While these songs are pretty cool and a nice contrast to the heavier stuff, everyone just kind of stands there and doesn’t know what to do. After they played “My Name is Darkness” they left the stage before coming back out for the encore. They opened the encore with “Chorus of Angels” which went over really well. After that Stephen could sense the restless in the crowd (2 slower songs and a break) and said “don’t worry, we’ll get back to breakdowns soon.” They closed the evening with “When Everything Falls” and it got rowdy.
There were at least 6-7 kids ejected from the venue during Haste the Day’s set, they were thrown out for fighting. I’m not sure if Stephen is giving this speech every night or if he noticed the excessive violence this evening, either way he gave a 5-minute talk about the hardcore scene and how people claim “it’s all about love, but then they go attack someone. There’s no love in that.” From there he talked about the band’s faith in Christ and how kids need to put their faith in the Truth, and not in the hardcore scene. It was great to hear him speak about love and Christ and it was well received by the crowd.
They played through most of the regular songs including “Blue 42”, “Stitches”, and “Mad Men”. They also played some songs that they don’t always play like “American Love” and “Needles”. Three times during the set the crowd voted between songs, the first time we chose “Walk On” over “Fallen” (I voted for Fallen), the second time we chose “Travesty” over my favorite new track “Dogs Like Vultures”, and the last time we chose “Pressure the Hinges” over “Needles”, however Stephen really wanted to play “Needles” so he went with that. “Pressure the Hinges” was probably the only song that everyone expected to hear but didn’t. From their latest album they played “The Place That Most Deny” and “Travesty”, I wish they would have dropped “The Place…” and played “Dogs Like Vultures” instead, but I can’t complain, it was a solid set.
The supporting acts this evening were Mychildren Mybride and A Plea For Purging, A Plea played first with a solid set featuring “Silent Sick America”, “Shiver”, and closed with “Malevolence”. Throughout the set front-man Andy Atkins encouraged the crowd to complete 300 stage-dives. He said that Denver was the rowdiest crowd so far on the tour, but he “measures his fun level in stage-dives.” Later he dogged on Mychildren Mybride, who were playing next, and asked that someone in the crowd skip their set and take him to get a burrito from Illegal Pete’s (in Boulder), if they did “he’d be forever their dude!” Well it happened and they got their burritos. He did let the crowd know that he was joking about Mychildren Mybride and that they are “the best dressed band on the tour.”
Mychildren Mybride played next and had the crowd ramped up. The band is an interesting mix of dudes that look like metal-heads, sounds like metalcore, and talk like a hardcore band, always encouraging the band to two-step, and featuring more gang-vocals than the other bands on tour. The kids were climbing over each other for a shot to sing on the mic. They played most of the songs they’ve been playing for the past year including “Terra Firma”, “Wings of Integrity” and closed with the fan-favorite “Headshot!”. They also added “King of the Hopeless” to the set and it went over great.
It was a solid show, the crowd was very energetic and the venue was packed despite the fact that it was -10 degrees outside. Most of the band-members hung around after the show and talked with the kids, John from A Plea For Purging was rocking some huge sword for some reason, and Haste the Day were selling shirts to commemorate their final tour. The only thing that could have made this evening better would have been Haste the Day playing their cover of “Meet Me Halfway” with a cameo from Fergie.
Well we finally got to check out the newest live music venue in Denver, the Summit Music Hall, where we caught the AP Tour featuring Bring Me The Horizon and August Burns Red. Tahoe came a little late in the evening so i got to check out the venue on my own for awhile and it's pretty nice. first though, the negatives; located on Blake Street makes is super tough for parking, and expensive. i found a lot that was $5 for the evening which isn't bad, but other venues in Denver you can find spots on the street for free. I had to park about 7 blocks away and that made for a long walk in the rain too, which was alright but would have sucked if it was in the snow.
The venue is bigger than the Marquis and Cervantes, but not as big as the Fillmore, probably right in-line with The Gothic Theater. You can see the stage from the bar which is nice, and the bar is an island so even though there were tons of punk-rock jocks and meatheads clogging up the bar stools, it wasn't tough to get service. Drinks were a little pricey for a rock show, $6 for a PBR tall-boy hurts the poor punk rockers. There is an upstairs but there's nothing up there but a railing and some seats, so it's basically a ledge to house more kids, and that works well, everyone has a good view. The sound was pretty good, very loud but the vocals weren't mixed well so i'm not sure if thats a venue issue, or the mixer dude, or something else. Security was tight, and there was a barrier between the kids and the stage which gets a "boo" in my book, totally lame. Otherwise, it'll be a good venue for bands that are too big to play a bar, but can't fill up a large venue like the Fillmore (think Anberlin, As I Lay Dying, underOATH, The Devil Wears Prada...)
As for the bands, the AP Tour lineup might be the worse lineup ever conceived. Opening the show was This Is Hell, one of my favorite bands with their throwback style of east-coast punk hardcore. The crowd hated them (more later...). Next was Polar Bear Club, a kind of melodic punk softcore group that was like night-and-day received better from the crowd. then Emarosa who, in my opinion, was awful. Sure they're talented and the lead singer can really sing, but thats the problem, this wasn't a group of singing bands, this was heavy music. Emarosa is straight-up radio rock, or mall-rock, wannabe arena-rock. That was tough to suffer through, but i give them a little credit; the lead singer had the flu and he still toughed-out a full set.
The headliners were Bring Me the Horizon, supported by August Burns Red. I have to admit that i haven't listened much to Bring Me the Horizon so Tahoe and i left before their set. August Burns Red was solid, as they usually are. They're so tight with their live performance which is pretty incredible considering how technical their music is. lead singer Jake is versatile and energetic, switching his vocals between higher-pitched yelling to low low-pitched growls. He passed the mic quite a big to keep the crowd involved, and at one point, i think during "Thirty and Seven" or "Back Burner" he instructed the crowd to crowd-surf to the stage and sing along. Not many people tried, but it was worth a shot.
August Burns Red played a typical set including songs like "Composure", "Meddler", "Truth of a Liar" and "Mariana's Trench". They also added "Escape Artist" and "Indonesia" two songs i don't think i've seen them perform live. They opened the show with some techno dance stuff that got the crowd pretty amped up, and then played right into "Composure". Near the end of their 45-minute set, i believe right after "Thirty and Seven", Matt Grenier (drummer) played a drum-solo for about 5 minutes. it's also entertaining to hear solos at shows, the only other one i've seen was from As I Lay Dying. The solo was impressive, not amazing though, and that lead right into "White Washed" for the closer. I've never seen them play "White Washed" and it was awesome, one of my favorite songs.
August Burns Red are finishing up a great 2010. Coming off lasts years release of Constellations, this year the band released a live dvd of a hometown show, which they called Home. It's gotten a lot of praise and that released coincided with the AP Tour (AP Magazine) where they graced the cover of AP Magazine and supported Bring Me the Horizon for the tour. Great year, this band is only going to get bigger and more popular. I wish that Jake would have talked a little about their faith during the Denver show since the crowd was very diverse and there were plenty of people who would benefit from hearing about Christ, but i understand that giving a little speech or testimony every night of a tour can be tough.
Back to This is Hell, the opener. For their set i sat at the bar enjoying a nice PBR. Two meat-heads came and sat next to me and proceeded to tear-down TIH for the entire set. i found them so typical, so easy to type-cast, and they were hilarious. The main guy was about 6'5'', probably my age, pretty ripped wearing his too-tight Underoath t-shirt. they both ordered mixed drinks and proceeded to rip This is Hell. ultra-original comments like "this IS hell" and "go back to New York!" showed how cool they were as they oogled every female that walked by. Foul language never bothers me, but it was funny to me that this dude was swearing non-stop will sporting a Christian-band's t-shirt saying things like "this band is so bad it's making me drink, so now i'll be wasted so i can $@%& people up in the pit during August Burns Red." Really? sad.
For more on punk-rock jocks and why most punk rockers hate jocks you could check out Good Riddance's "Salt" or Assorted Jelly Beans' "Punk Rock Jock". There's a reason why people go to shows, and to each his own, but i find that going to shows to get drunk and fight people in the pit is the lowest reason, and that earns you the least respect. This dude was one of the main reasons i wished Jake from ABR would have taken a second to talk about his faith, just to put things in perspective.
The show was fun though in the end. I got a kick out of the meat-head at the bar as i stood singing along with This Is Hell. I don't expect many people to enjoy TiH's style of punk rock, its an acquired taste and it helps to enjoy east-coast hardcore bands like Warzone and Madball to really understand what This is Hell is all about. August Burns Red was awesome, so talented.
My buddy Tahoe and I ventured down to Marquis Theater in Denver to catch Oh Sleeper and A Plea for Purging. With only four bands on the ticket we were excited to see some extended sets, plus Oh Sleeper hadn�t been to Denver since they released Son of the Morning, and last time they came through they had to modify their set due to some of their equipment getting stolen the night before in Salt Lake City, so they didn�t play any new songs.
We were both under the impression that The Bled were headlining but that was not the case, Oh Sleeper headlined and I�m not sure they�re ready to be headlining. I�m a huge fan of Oh Sleeper but I was not overly impressed with Son of the Morning, I feel like When I Am God was a much better record, at least lyrically. Either way their set is comprised of mostly tracks from Son of the Morning and they just don�t incite energy live like the older tracks did.
Oh Sleeper opened with Son of the Morning, a great opener with tons of energy. The venue wasn�t packed but there were a good amount of kids still left after The Bled finished. Everyone pushed to the stage to sing along and even though we were down on the floor, we never really were in danger of any physical harm. I�m an old man these days so I like to stand right on the edge of the pit, but rarely ever go in. There wasn�t really a pit this night, either because the kids were worn out or because Oh Sleeper doesn�t really play breakdown-style music.
After Son of the Morning they went into New Breed. You could tell that Shane Blay has been improving on his singing, while its still not that great live, he�s much better than when I saw them last year on Scream the Prayer Tour. It�s got to be tough to sing on key with everything so loud, but he was close most of the time. The other change I was trying to pay attention to was the new drummer, Zac Mayfield. He was solid most of the night but he has some big shoes to fill, previous drummer Matt Davis was a beast and the drumming on the last album was crazy. With a new drummer on-board I was surprised to hear the band go into World Without a Sun, the track on SOTM that basically showed off Matt�s drumming ability. The song sounded good, but not nearly as tight as the recording (which can be expected).
Between each song Micah took a chance to talk, something that usually bores me, I prefer less talk � more rock. I would soon realize the reason for so much talk; the band only played 7 or 8 songs, not many for the headliner. Now they decided to go into some older material starting with Charlatan�s Host, one of my favorites. The song was building up to the best part, where the band cuts out while Micah screams �Let not my words be ripped from the mouth of a horror!� but just as we were all about to throw it down Micah stops the band to orcganize the Wall of Death. Total momentum killer and really just a poor decision; the Wall of Death is pretty lame and works best at the beginning of songs when everyone is already standing around, not during the middle of one of your best songs.
Anyway, after Charlantan�s Host they played the crowd favorite, Vices Like Vipers which went crazy. After that the band took a second to leave the stage and apparently get different guitars. Looking back I guess this was their �encore�, Reveries of Flight was playing as a track and Shane was still on stage and began singing the song. I really like this track and was pumped to hear it live. Lucas, the bass player, returned to the stage to encourage everyone to sing louder and the song began to build. Finally the entire band was back and ripping through the second half of the song. This led directly into The Finisher, a fitting closer to a set and had the kids realized that this was the last song maybe it would have been more chaotic.
After that the house lights came on and I looked at Tahoe, we both weren�t sure if that was it and I told him that they didn�t really have any more songs they could play, so I doubted they would play anymore. I was right; their set included 7 or 8 songs, almost 30 minutes of music. It seemed really short and even though they played well, it just didn�t seem like enough.
Earlier in the evening A Plea for Purging rocked the crowd with what turned out to be either the longest set, or just short of The Bled�s set. Plea, a four-piece now that guitarist Tyler Wilson has left the band to continue school and get married, filled out the sound really well considering there was only one guitarist. Later Blake confirmed that Tyler�s parts are synced with the click track but it was tough to notice since Blake handled most of the lead parts. Visually there aren�t many bands that can keep your attention quite like Plea, with lead singer Andy moving gracefully back and forth at the front of the stage, looking sort of like Kirby from Nintendo. Behind Andy you have bassist John Wand swinging his hair like a propeller for large sections of songs. It�s just crazy to watch. At one point Andy challenged the crowed to complete 300 stage-dives during one song, I think we failed miserably but it was fun to watch.
Andy also mentioned that it was some kid�s birthday and all he wanted for his birthday was a Wall of Death, so yes, for the first time of the night there was a Wall of Death. I don�t totally know all of the songs they played, but I�m certain they played Shiver, Golden Barriers, The Fall (Andy busted out a tambourine during this song), Malevolence, and The Eternal Female.
At least two of the bands mentioned that Denver was the biggest crowd yet on the tour which at first made us proud, but then looking around I was a little disappointed that other stops had less kids than this, since I don�t think there was all that many kids at the show in Denver. I wasn�t really into the other two bands on the tour; the opening band Let Live and also The Bled. A Plea for Purging is so good live and Oh Sleeper is definitely solid that if this tour stops in your neck of the woods you should check it out. It was less than $15 in Denver, and a chance to see Oh Sleeper live doesn�t come around that often.
SETLIST: Oh Sleeper Son of the Morning New Breed World Without the Sun Charlatan’s Host Vices Life Vipers Reveries of Flight The Finisher
Once it was time for Underoath to take the stage, Tahoe and I found good seats in the upper balcony. Yes haters, I’m old and I am fragile, so I prefer to sit during shows if possible, and watch the young kids beat each other up. The Boulder Theater has a great balcony that isn’t too far from the stage and you’re able to capture the essence of the entire performance with good sound. Anyway, Underoath has quite the live show, with multiple light setups on the stage facing the crowd, and a huge projection screen the projects movie clips and slides throughout the show.
Underoath opened with “Returning Empty Handed” and I was instantly reminded of a Norma Jean show with the onslaught on my senses. My only complaint was that the stage was very dark for most of the show; it was very hard to see the guys in the bands throughout the evening. Earlier in the evening Blessthefall pointed out that there was no barrier and that kids should be stage-diving and sure enough, kids started running all over the stage with no problems from security. However when the kids started getting on the stage for Underoath, stage-hands were quick to discourage it, and for good reason since it was so dark on the stage that on misstep could be disaster.
It didn’t take long to see that Spencer would be handling most of the clean vocals. I was surprised at how well he did them too, they sounded great and a new fan of Underoath probably wouldn’t have noticed the difference between Aaron and Spencer. A few times throughout the set guitarist Tim Tague also added some clean vocals, but not nearly as often as Spencer. As for the drums, Daniel was excellent on his smallish 4-piece kit. The kit was noticeably smaller than the previous band’s, Between the Buried and Me, drumkit which featured two kick-drums and a gong. Daniel was thrashing away with a ton of energy and he was sporting what looked like an epic mustache.
The set was very organized with a break between each song. Some songs like “Casting Such a Thin Shadow” has specific video clips whereas other songs featured the same loop of clips shown throughout most of the show. Underoath play two new songs from their upcoming album coming out in October, and I was less than impressed with both of the songs. The music was alright, but the clean vocals by Spencer were terrible. There could be a lot that played into that so I’ll wait until the record comes out to really have an opinion. The band played a set heavy on Define the Great Line with 5 songs, with only one songs from Chasing Safety; “Dangerous Business Walking Out Your Front Door” which was the encore song. “Writings on the Walls” had probably the loudest crowd response of the night besides the encore.
Near the end of the set Spencer took a minute to talk about his faith, saying that they did this music for Jesus Christ. He went on to say they didn’t want to put their beliefs on anyone, that everyone “should find what makes them happy and stick with it.” I’m not sure i’m totally on board with that statement but it seems to be a common statement from Christian bands that don’t consider themselves so much a ministry as a band of Christians, singing about their lives (which very much revolves around their faith when talking about Underoath). It was an impressive show, much better than the last time i saw them in Denver.
Setlist (as best as i could remember it): Returning Empty Handed Breathing In a New Mentality Desperate Times, Desperate Measures new song Anyone Can Dig a Hole But it Takes a Real Man to Call It a Home Casting Such Thin Shadows Writing on the Walls new song In Regards to Myself Everyone Looks So Good From Here Moving For the Sake of Motion slower song w/Spencer on guitar ??
encore: It’s Dangerous Business Walking Out Your Front Door
I was planning on hitting up this show on my own since none of my friends out here in Denver are big Gwen Stacy fans, and the rest of the lineup was pretty weak, but fortunately for me my buddy Jordan tagged along. For $15 you couldn't really go wrong, but this show attempted to be a waste of money, one of the few times when i feel let down but a live concert.
I've been a Gwen Stacy fan for quite a while, they have hardcore roots and don't really venture too much into metalcore which is nice. They have some awesome breakdowns with great sing alongs like "This is family, this is pure!" and i haven't had the chance to catch them outside of last year's Scream the Prayer Tour where they weren't playing anything from their latest release A Dialogue. I was pretty excited to finally catch them, and the fact that they were headlining was surprising to me since they didn't have that big of support last summer when i saw them at Sonshine and STP Tour.
Well, they still don't have great support and probably shouldn't have done a headlining tour, the venue was practically empty, easily less than 100 people. The front of the stage was maybe 2 people deep in the middle, and only about 10 kids were really dancing around. We stood near the back for previous bands but we knew that Gwen Stacy would call people out so we moved close to the stage. Sure enough Geoff, lead singer for GS, did call out two girls that were sitting up in the balcony and we spent easily 5 minutes coaxing them down to the stage. Surprisingly Geoff was using a plethora of foul language on the mic was threw me for a total loop.
Normally foul language at a show is nothing new, and i don't have a problem with it at all, but bands that represent themselves as a "Christian Band" and represent a known Christian label like Solid State Records, swearing on the mic seems a bit poor in taste. I was starting to wonder if the band no longer considered themselves to be representing Christ through their platform and after the show i was able to find out that in fact the band no longer considered themselves a "christian band" and that Brent, bass player and the founder of the band, was really the only Christian left. this was disheartening to say the least, but it is what it is.
After instructing the crowd to get "A#% to balls" and pack it in, all 40 of us enjoyed a set that opened with "The Path to Certainty" and then rolled through "The Fear in Your Eyes" and "I Was Born With Two First Names". They also played crowd favorite "Gun Held to the Head" from there initial demo. I believe they only played two tracks from their latest release A Dialogue which were "Profit Motive" and "The First Words" my favorite track. They closed with "Gone Fishing" i think.
The new band was solid, the new drummer Brett Sibley did well and adding the 2nd guitarist (Matt Strahl) really help the overall sound even if he was deathly ill. Frontman Geoff is solid, but he seemed a little off tonite, possibly due to some alcohol consumption before the show? who knows, either way he's pretty good considering there weren't many kids at the show, and he spoke about people using their heads to make decisions, and that the band is about "mutual respect" saying "when you die you're only accountable for yourself."
The other 2 bands we saw were City Serene and Lower Definition. City Serene is a female fronted mini-Attack Attack! with some electronic synth mixed in. they were pretty weak in my opinion, and once again i'm not impressed with female-fronted hardcore bands, i just don't buy it. Lower Definition has a solid sound and plenty of energy, but the lead singer totally ruined it for me. maybe it was the fact that he "drank three bottles of whiskey before the show" and was "totally faded" but he was just stumbling around and kept pulling the mic away from his face when he was singing the clean vocals like he was Justin Timberlake or something. never could hear him at all.
Just a bummer of a show. check out this picture and see how there was no crowd:
my buddy Tahoe and I ventured down to the Gothic Theatre to catch one of our favorite bands; As I Lay Dying who were on tour with support from War Of Ages, Blessthefall, and Demon Hunter. When I originally saw this tour lineup I was very excited. I am a fan of AILD and War of Ages, I’ve listened to Blessthefall, and I was interested to hear Demon Hunter. I've been trying to catch War Of Ages live for awhile now after i missed them at Sonshine Festival last year, then they had to bail on the 10 for $10 Tour right before the Denver stop at the end of last summer. After seeing the show however I think this lineup was very poor.
First though, As I Lay Dying, the headliner. They always put on a stellar show and this was one of the better performances I’ve seen by them. Even though they just released a new record, The Powerless Rise, they only played 2 songs from the record. It always cool to hear new tracks live, but as a fan going to see a band live you want to hear the songs you know and love, and As I Lay Dying understands that. They played all of their big songs starting with the opener 94 Hours then into An Ocean Between Us. About 4 songs in they played the first track off the new record, Beyond Our Suffering, and it seemed to go over pretty well. Since their last record, An Ocean Between Us, was released about 3 years ago fans were hungry for new music, and i'm sure a good portion of the crowd had already gotten their hands on the new album and were singing along!
Speaking of singing along the energy in the Gothic was awesome. The show was sold out and the floor was energetic and supporting the bands well. with four huge records under their belt, As I Lay Dying is able to play a set that is filled with great songs, and every song incited the crowd more. So after Through Struggle and Beyond Our Suffering the band went off stage to get different guitars. this little break might have been the most impressive moment of the night when Jordan entertained us with an intense drum solo. for most of the Jordan was swinging his hair with all of his appendages going in different directs so that if you couldn't hear what he was playing you'd think it'd sound like a bunch of nonsense, except that its not! he's got to be one of the best drummers out there, just solid!
The middle of the set included songs Sound of Truth, Within Destruction, and Forsaken. As I Lay Dying was blasting through songs, rarely taking a second to talk between songs which i personally enjoy (less talk, more rock). This led into the 2nd new song of the night, Vacancy, which was an interesting choice. Tim Lambesis introduced the song as "a fast one" which was apparently the reason it was chosen, however there are much better songs on the new album that would have been great to hear but maybe they haven't prepped them for the live show yet. After Vacancy they played Confined, Meaning in Tragedy, and the crowd favorite I Never Wanted, which featured the crowd in full voice!
After the "last" song, Tim thanked the crowd and they left the stage. I'm personally a little done with planned encores but whatever, As I Lay Dying were obviously coming back to play some more, maybe Tim needed some air after playing at Denver's high altitude. A few minutes after chants of "one more song" the lights dimmed and on-stage spotlights began to search the crowd. combined with the darkness and the smoke this created an eerie effect, almost like flashlights searching through a dark foggy night. Then we were greeted with the sound of Nick's lead guitar, playing the epic intro Separation. Soon joined by Phil's guitar the encore was on, AILD played Separation, Nothing Left and finally Forever.
The great thing about As I Lay Dying's live set is that everyone in the band gets involved. Tim is a solid front-man with his strong vocals and confidence, he moves around the stage and gets the kids involved. Josh on bass and supports with clean vocals, while he's not the best singer around he's still gives a ton of energy to the crowd. I've already talked about how amazing Jordan is on the drums, it's great that he's up on an elevated drum-riser and instead of rocking a double-kick pedal, he goes with two separate bass drums with always looks great! And the guitarist are great, Nick and Phil totally compliment each other, and even though Phil is technically the rhythm guitarist, he gets his chance to show off his chops.
The supporting bands were alright. War of Ages opened the show, played a 5-song set including 2 new songs off their recent release Eternal. Then they also played their staples opening with Through the Flames and then closed with Standing Firm followed by All Consuming Fire. They added a little humor at the end of their set playing the intro to Enter Sandman (Metallica) then stopping with a "just joking!". Blessthefall was solid but maybe a little too choreographed. The had "dance moves" and just seemed out-of-place with these other metal bands. Demon Hunter had a ton of crowd support, but again i think they were out-of-place as well. True metal fans were not impressed with the band and voiced their opinion, but were usually drowned out by the very vocal Christian support.
The show was great, the only disappointing thing for me was that none of the bands talked about their faith, or even mentioned Christ at all. This may have been because it was already assumed to be Christian bands, like Third Day doesn't need to announce what they believe at their shows, but still I've seen AILD before and it's always encouraging to hear bands with such credibility encourage the fans in this way. Maybe next time they'll start adding some of their new songs to their set.
What a fun night. Comeback Kid, my favorite band, was once again playing Denver, a city they've toured often. Unfortunately the last few times CBK have come through Denver they've been on some weird tours, including supporting Rise Against at Red Rock Amphitheater. I've seen them a few times over the years, and i was lucky enough to catch them on Scott Wade's last tour, in fact it was one of his last shows before he quit mid-tour. I am more of a fan of Scott's work as the lead singer than Andrew's, but between them both CBK is still solid.
This tour feature Set Your Goals as the headliner, a band that has as many haters as they do fans. I for one, am not really fan. The other bands in support were The Wonder Years and This Time Next Year, two bands that are alright. I had a soccer game this evening so i decided i would play, then jam down to Denver in time to catch CBK. My plan worked perfectly, as i was collecting my ticket from will call the crowd was filing outside for a smoke-break between the bands. as i headed inside i was just hoping that the break was before CBK, not after! But after seeing Andrew Neufield, frontman for CBK walking around with no sweat, i was confident that my timing couldn't have been better.
I killed some time before their set talking with a kid that recognized my Venia shirt, an up-and-coming Christian hardcore band out of Minneapolis. It was cool that he sought me out after seeing the shirt, not many kids know of Venia, yet. Anyway, i got a good spot on the stairs determined to catch at least one song on video before joining the fracas.
As usual Comeback Kid opened with False Idols Fall, a great song and a great opener. The energy was crazy, the venue was packed and the battle to be heard on the mic was on. If you want to know what happens at a hardcore show, basically every kid is battling to get a chance to scream some lines into the microphone, clawing their way to the stage, going over or through people on the way. After you cross the pit of hardcore dancers (think kung-fu meets roid-rage) you must work your way through the gang chorus, about 5-6 people deep at the front of the stage. then you must impress the singer enough that he'll pass you the mic, then you have to show that you know what you're doing and sing the right words. after that, you get your street cred! haha.
Anyway, after the opening song CBK barreled through their "hits" like Broadcasting, Die Tonite, All In A Year, Partners In Crime, Talk is Cheap, and i think Defeated. These songs are great for singalongs, and have sweet breakdowns as well. Andrew is a fine frontman, although he looks a little overwhelmed at times and in interviews he's admitted that he'd rather be on guitar than singing. Either way CBK was full of energy, and the crowd didn't disappoint with plenty of head-walkers and hardcore dancing, people were flying everywhere.
Comeback Kid took a moment to thank Denver for being a great place to play, and promised to come back in the fall after their new record comes out. Their last record was recorded in Fort Collins at the Blasting Room, but this time they opted to record in Canada (where they're from). After their little message the played Industry Standards, which was probably the least favorite song from their set, i'm not sure why they played it, but they did, and it only made the next song, Partners in Crime, even better.
Nearing the end of their set, Andrew led the crowd in a singalong of the chorus for Wake the Dead; "you said you said you said, this time was gonna be different...WAKE UP THE DEAD!" a few times before the band blasted into the song. this is easily the most popular CBK song, and rightfully so, it's pretty epic. They usually always close with this song and we all thought this was the end of the set so the place went off. For some reason though, they decided to play one more track, Step Ahead, but most of the place had already decided they were done so it was a little awkward.
After they played i decided to go home, apparently i was not alone in that decision as many others headed for the door as well. Another solid effort by Comeback Kid, when the come through in Fall on a headlining tour it will be even better!
my video of False Idols Fall: .
False Idols Fall lyrics: YOUR TIME IS UP We’ve been counting down your days Going over every false THING YOU SAY We wish it could be different We wished you stayed the same Tearing down our idols living life OUR OWN WAY Taking the chance to say
All my heros are dead All my heros are dead
Were we too blind to see you were only human like me But we can’t help but feel Empty words they're all you gave Struggling to take back our days
They build you up to watch you fall Can’t you see they can’t be what you want You build them up to watch them fall
Where did we lose control We thought it'd last forever
We're come and count away your days Our heroes are not what they used to be (OUR IDOLS FALL) Our heroes are not what they used to be (OUR IDOLS FALL AWAY)
I could get used to this! Nothing against my homie Aaron Britton but a "Night of Worship" led by Phil Wickham, Leeland and Matt Maher is pretty sweet! The Mercer's and the Boyle's trekked down to Wheat Ridge to catch the A Night of Worship Tour co-headlined by Leeland and Phil Wickham. Wickham is amazing live, i've only seen him once before where he did an acoustic set so i was excited to see him with a full band. I've been a fan of Leeland since their first album but somehow have not managed to catch them live. The tour info indicated this was a "co-headline" tour which meant either could be the main act, it turned out to be Leeland this night.
We found our seats in this average size sanctuary of Crossroads Christian Church, actually it was 3 different section of General Admission, which i can't stand personally but whatever. The house-lights dimmed and we were greeted with 3 dudes on guitar and a piano player, playing common worship songs the typical church-goer would recognize (songs made popular by Chris Tomlin like Your Grace Is Enough). Expecting Matt Maher who i didn't know much about, i was surprised to see all three performers on stage, Leeland, Wickham, and Matt Maher, and Leeland's piano player Jack Mooring. The vocals were impressive, each having their own unique sound; Maher was strong and lower than the other three, Leeland has a higher range and some indie-sounding raspy tone, and Wickham is all over the place, crazy vocals as Randy Jackson might claim. I could get used to this team leading worship, incredible!
After 3-4 worship songs there was a smooth transition in Matt Maher, accompanied by Leeland's band. I was not super impressed with Maher's original stuff, his voice was cool but his lyrics were a little corny / elementary for my liking. he did however bust into Bob Marley's Everything Is Alright for a few minutes which was pretty cool. He only played about 3-4 songs before Phil Wickham was on.
Phil Wickham is currently supporting his latest album, Heaven & Earth, his third full-length album. It was a little different to see Wickham rocking an electric guitar, and with a band, but he pulled it off no problem. He opened the show with Eden off his latest record and then continued to move effortlessly into his collection of great worship songs like Cannons, True Love, Divine Romance, and In Your City. Wickham does a great job of mending songs together, leading into the next song usually with an insightful explanation of his lyrics.
After this group of songs Wickham brought out his acoustic guitar and let the band take a break. He lead into Safe, his latest "single" off of Heaven & Earth, my favorite track. Without the band you could really see that Wickham is most comfortable just playing his guitar and singing, his voice is spectacular. Unfortunately Safe was the only acoustic track we got to hear as the band made their way out and played a new track that according to Wickham he just wrote. he played probably 2-3 more songs and then it was intermission.
During the intermission Leeland, Phil Wickham, and Jack Mooring (Leeland) came out to make a presentation, showing a video of LEeland's recent missions trip with Food For The Hungry and presenting the case for FFTH. We were given the chance to sponsor a child right then, through Food For The Hungry, in either Cambodia or Haiti.
After the intermission Leeland was set to play. His sound is different than Wickhams in the sense that Leeland isn't so much congregational worship songs, but just rock songs that have lyrics about everything. It was a little harder to sing along with since Leeland's vocal range is higher than most people, and despite having the words displayed on the wall (same for Phil Wickham) a lot of people didn't know most of Leeland's material. We saw a handful of people leave during Leeland's set as well, i think a lot of people were there for Phil Wickham, i wish he would have headlined because Leeland is a great band if you give them a chance.
Anyway, they rocked on through Carry Me Through, Pure Bride, Yes You Have, Beautiful Lord, New Creation and my favorite track of the night; Sound of Melodies. Unfortunately i was waiting to take a video of Tears Of The Saints and they never played it, so i didn't get any video. I was hoping for more of a rocking set with songs like Opposite Way and Count Me In but i'm thinking that since the tour was billed as "Night of Worship" they skipped out on the rock songs and stuck with the corporate worship songs.
Yes! Last night Kassie, Isaac and I went down to the PepsiCenter in Denver to catch the Blue Print 3 tour featuring Jay-Z and Young Jeezy.We weren’t interested in the opening acts, STS9 or Trey Songz, so we arrived about 830p, anticipating Jay-Z going on at 9p.We got there about half-way through Trey Songz, and we were glad we missed most of his set, and after we regained our seats from some poachers, we sat back and started to get excited.
We had really good seats, Row 1 of the upper deck, side stage, so our view was never obstructed and we got to put our feet up comfortably.A countdown clock appeared on the big screen letting us know that the show was starting in 10 minutes.When the timer hit 0:00 the lights dimmed and intro music for Run This Town started. Jay-Z rose up out of the stage and it was on!
The energy for the opener was amazing, Run This Town was crazy with the whole building standing and singing along.Jay-Z was supported by a full band; 2 drummers, a guitarist, keyboards, horn section, and his DJ.The sound was so loud, but still clear and you could hear most of the pieces of the band pretty well.After Run This Town Jay went right into On To The Next One and then D.O.A. (Death of Auto-tune).The hits just kept coming.
After DOA, Jay introduced Memphis Bleek and for the rest of the night either Bleek or Young Jeezy was alongside Jigga-man.They started off with U Don’t Know, then 99 Problems and Show Me What You Got.From there Jay just started pumping out songs, which is great because with so many albums out now it’s almost like any song he does is a hit.The best of that group was Public Service Announcement, it had so much energy, it’s such a great song.Bleek left after that song and Trey Songz showed up to sing the hook for Heart of the City and help with Already Home.
After Trey Songz left, Bridget Kelly came about to sing Alicia Key’s part on Empire State of Mind.This song was amazing, and Bridget’s voice was great.Jay was switching up lyrics all night, for example, “I make that Yankee Jacket more famous than a Yankee can…” as he pointed out a dude in the crowd.After this song Young Jeezy came out to help with Real As I Gets.
From there Jay-Z left the stage for Young Jeezy’s set, about 30 minutes long.
I’m not a fan of Jeezy, and his performance definitely didn’t change that, cliché thug rap.You could really tell a contrast between Jeezy and Jay, and the clarity of their vocals, Jay-Z really speaks clearly for a rapper!
After about 30 minutes Jay-Z showed up again, and they both sang My President (is black) which was a little awkward for us white folk!Anyway, everyone loved that, and as the song ended a clip of President Obama was played on the big screen, the clip where he dusts off his shoulders, a prelude into Dirt Off Your Shoulder, reinvigorating the crowd.
After that Jay went into a medley of verses from songs he’s featured on, like Swagga Like Us and Bonnie & Clyde.From there he played some old stuff from Reasonable Doubt and other older albums. Just when I was starting to get dis-interested Jay busted into 3 of his most famous hits; Can I Get A … / Big Pimpin’ / Hard Knock Life.For Big Pimpin’ he instructed the crowd to wave their towels / shirts which made for a pretty sweet visual effect.Then for Hard Knock Life the music was cut out several times to let the crowd sing the hook, there are reasons why we in the crowd are fans and not singers, and our section was exceptionally horrible at singing!
For the end of the show Jay-Z played a jazzy version of Thank You, very toned down, and pretty genuine sounding as he thanked everyone for coming out.As the song played out Jay begin pointing out people in the crowd, commenting (positive) on their cool shirts or hats.He pointed people out the entire arena, upper level and lower, getting really close to getting our group on the screen (we would have been the only 3 people in the place still sitting down, and I didn’t want to be called out by Jay-Z!).It was a cool way to bridge the show to the encore, especially since I’m not a fan of the PLANNED exit from stage then return for encore.
After about 10 minutes of crowd appreciation, Jay-Z played the most fitting song for his encore, Encore.I really love this song and it was a great way to end the night on a high note!
Probably one of the best shows I’ve ever been to, great sound and a solid set.At first I was a little nervous about his 2 hour set, thinking Kassie might lose interest like she has at other shows I’ve dragged her to (she fell asleep at AFI and Anberlin) but she had a great time all the way through!
