Album Review: Norma Jean - Meridional

Band: Norma Jean

Title: Meridional
Label: Razor & Tie
Release Date: July 12, 2010
Reviewer: BMer

Tracklisting:

1. “Leaderless and Self Enlisted”
2. “The Anthem of the Angry Brides”
3. “Deathbed Atheist”
4. “Bastardizer”
5. “A Media Friendly Turn for the Worse”
6. “Septentrional”
7. “Blood Burner”
8. “High Noise Low Output”
9. “Falling from the Sky: Day Seven”
10. “Everlasting Tapeworm”
11. “Occidental”
12. “The People That Surround You on a Regular Basis”
13. “Innocent Bystanders United”

Meridional is the 5^th studio album by the “almighty” Norma Jean, it will be released through Razor & Tie Records on July 12, 2010. This is Norma Jean’s first album with Razor & Tie after leaving Solid State Records in 2009 after the release of The Anti Mother. This is the fourth record that features vocalist Cory Brandan as the main singer and song-writer.

From the moment you fire up Meridonal you are blasted with the brutal onslaught that Norma Jean is known for. The first track, “Leaderless and Self Enlisted” is a great opener, heavy and intense, no time to waste on some intro track; let’s just get to the point. For those wondering if the move to Razor & Tie would somehow soften Norma Jean, considering their label-mates are now Brian McKnight and Dave Barnes, you’ll be rest assured very quickly. According to the band switching to Razor & Tie was the fresh start they needed, and the album really shows a renewed spirit for chaotic hardcore.

The album is roughly split into 3 parts, the first 4 tracks representing the most brutal sounds. The tracks are heavy on chaos and light on melody, something longtime fans of Norma Jean can get excited about. The 2^nd track, “The Anthem of the Angry Brides” (great title by the way) is the most disjointed, featuring a quirky little guitar riff that basically noodles all over the place, on top of a shuffling drum beat during the verse. Once the chorus comes in you’ll find a driving, thumping feel that supports the vocals “You’re not getting under my skin!”

After track 5, an instrumental break, you get a few melodic tracks including my two favorites on the album; “Septentrional” and “High Noise Low Output”. Both tracks feature more singing than most, and some melody which is a side of Norma Jean that some fans don’t embrace. “High Noise Low Output” is the most “radio-friendly” track, a slower pace and plenty of singing and occasional screams. This doesn’t sound like your typical Norma Jean track, but the power and passion behind these tracks is unmistakable. The track following these, “Falling From the Sky: Day Seven” is a relatively subdued song. The feel is somber; “Your death will bring you all of the answers you’ve been looking for” and Norma Jean really start building the emotional feel for the album (even though we’re halfway with done with the songs).

Tracks 1-8 are straight-forward songs, except the interlude track 5, you get everything from chaotic brutality reminiscent of early Norma Jean to the more accessible sounds we found on The Anti Mother. After track 8 though you get a lot of experimentation, ambient moody sounds, probably representing what the band was referring to when they stated the music writing for Meridional was “something totally new”. There are a few memorable moments at the end of the album but overall I think the bulk of valuable work is in the first-half of Meridional. Songs like “The People Who Surround You on a Regular Basis” are just too predictable and formulaic, following the simple format of Verse – Chorus – Breakdown – Chorus. It’s not all bad, just not what you would typically expect from Norma Jean, something new.

The overall dark feel of the record is evident throughout, if not for lyrics like “I’d scratch away to the center. I’d bite it down to the blood” which is repeated frequently in the opening track, then maybe the sinister-sounding guitars will surely remind you that this album is not for the feint of heart. The drums also have a very live sound; the bass drum is so honest sounding, unlike the clean, over-produced sound on most metalcore records these days. Although the overall feel is dark, Meridional is not without it’s lighter moments which if you listen carefully enough you’ll hear quite an arsenal of random sounds/instruments throughout. Some clever lyrics can be found as well including “You’re like a never-ending soap opera, and we’re ready to find out who kills J.R.”

OVERALL When they say they’re going back to their old mentality of writing music, I can see that with Meridional. Riffs that have an old school hardcore feel to them, a few cool metal licks that I haven’t really heard from them before. This album does resemble The Anti Mother in a lot of ways, but feels like a lot more effort was put into this one than their last one. Each song is really well crafted from top to bottom. This is probably their most creative work to date, although it is a bit tamer than most of their other albums.

can also be viewed at IndieVisionMusic.com

Show Recap: Sonshine Festival @ Wilmar, MN

Alan and I camped out at the Sonshine Festival in Wilmar, Minnesota. 3 days of Christian bands spread out on 3 different stages, but we were there mainly for the metal stage. there were so many bands that i'm just going to give short recaps and fly through the bands that we actually saw.

Thursday night was essentially the Scream the Prayer Tour lineup, featuring For Today, Sleeping Giant, Oh Sleeper, Gwen Stacy, The Chariot, and Haste the Day. For Today and Sleeping Giant are what you might call "militant Christian" metal, in your face, tough-guy hardcore. Both bands didn't bring their A-game and were somewhat disappointing.

Gwen Stacy was the first good band we saw. They only played 5 songs but they bring it, fun choruses to sing along with, and quite the following for an early-in-the-evening band. After Gwen Stacy was Oh Sleeper, a favorite of Alan's and mine. They were on-fire! They had replaced their stolen guitar and were able to play 2 new songs, Son of the Morning and The Finisher, both were awesome. The crowd was totally into the set and Oh Sleeper responded, playing better than they did on Tuesday night in Denver, and they were having fun inciting chaos in the crowd.

After their last song, Vices Like Vipers, which was crazy, Micah the lead singer, said that we had one last chance to rock out, and organized the crowd for the "Wall of Death". Basically this is like the parting of the Red Sea, i've done this a few times, most notably at Sick of it All shows, in little venues where people don't have much room. but by the time to two sides of the crowd had split, there was easily 20 yards between us and them. As the front line people began to back out Alan and I found ourselves facing the front line full of teenagers with no feeling of pain. the song kicked in and both sides ran at each other (think Braveheart) and Bam!, bodies everywhere. i spent the next 30 seconds saving lives and enjoying my extra adrenaline-induced strength that allowed me to throw teenagers everywhere and saves the people who landed on the ground.

Wall of Death at a Sick of it All show (excuse the language):

after recovering from that we took a break, skipped Sleeping Giant, the Showdown and Agraceful. We went over to the main stage to check out Family Force 5, which lasted about 10 seconds before we decided that they were lame and went back to the metal stage to see The Chariot. They were great again, apparently their van had broken down and they just barely made it, but they were awesome. After that was Flatfoot 56 and they were terrible, and i hate them.

The headliners for Thursday were Haste the Day. Once again they were on their game, and once again the momentum slowed down when Stephen picked up a guitar and played the 2 slow songs. But it was cool because they played an encore, American Love, and all was forgiven. their new drummer, Giuseppe from Once Nothing (check out the link!), might be the best drummer i've ever seen, he's ridiculous, and he did a drum solo before the encore that was epic.

On Friday we got up early, 10a, and headed over to the hip-hop stage to catch Big Al. he was pretty good i guess. Christian rap is weird to me, but whatever. Then we went over to the main stage to get ready for Glorious Unseen. This is where i ran into one of Kassie's friends, Angela and got to talk to her. On the stage was Tal & Acacia, 2 girls who were quite impressive. Tal (or Acacia?) plays guitar and both girls sing. they were from England i'm guessing (wrong, they're from Nashville, thanks Alan!) and their style was a little quirky and both Alan and I liked it, but not enough to grab a pink cd!

Up next was the Glorious Unseen, one of our favorite bands, and they were awesome. They played Tonite the Stars Speak, Forever Holy, and some new songs of their upcoming EP. I wish they could of played longer than 30 minutes, they only got through 5 songs i think. But David Crowder was on the side stage obviously enjoying them too.

After that we scampered back to the metal stage to check out some bands we'd never heard of. For All Those Sleeping were pretty bad, the Midnight Suit, who are now called The Suit, were awesome. they were a blend of punk/hardcore and some heavy breakdowns. they really impressed, and were full of fun energy, playing a cover of Lady Gaga's Just Dance that went over really well (hear it on their myspace), totally checking these dudes out!

up next was local metal band Your Memorial, which Alan liked but i wasn't too into, they're straight-forward metal. Hands followed them and they were pretty good despite having a guitar player as their lead singer which usually takes a little off the intensity and crowd-participation. they were really tight and had a good crowd following, i'd check'em out.

after that we went and took a nap, skipping A Plea For Purging and Impending Doom. We woke up and headed to the main stage for an awesome time of worship with David Crowder. They are so good live, great humor, great set, and just overall a really moving time. David Crowder busted out the usual key-tar, and then a Guitar Hero guitar that had been modified by drummer Bwhack. good times.

After that we headed back to the metal stage for what was probably the best band of the weekend; August Burns Red! man, i have just been getting into these guys so i only knew a few of the songs, but it didn't matter. people were climbing the walls just to get a view, easily the biggest crowd we saw. we fought our way to the pits and hardcore danced for what seemed like an hour. They played an encore even though they weren't headlining, man they were good.

After that was the headliners, Norma Jean, a band that always brings the energy (and apparently fans like David Crowder, he was in the pit with the rest of us kids). They rocked out about 3 songs before something on the drums broke, which happens at every Norma Jean show. After that was fixed, lead singer Cory Brandan instructed the crowd to pick up anything plastic off the ground and when the song kicks in, to throw the trash in the air, and keep throwing it. the crowd followed instruction and we were all doused with water and whatever else was in the trash for the next 60 seconds. After that they played the hits, ending with a quasi-encore. pretty good set.

Both of us had to leave the next morning, so we missed out on War of Ages, As I Lay Dying, Austrian Death Machine, and Living Sacrifice. it was a bummer, but we'll have more chances!

good times!

Show Recap: Norma Jean / Haste the Day / Showdown / Oh Sleeper

Well, i got to check out a metal show while on vacation in Minnesota with my boy Alan. This was quite a lineup, Haste the Day and Norma Jean, two heavyweights of the Christian metalcore scene along with Oh Sleeper, theShowdown and My Children My Bride. It was an incredible night, all of the bands played really well, and the venue, Station 4 in St Paul, was great.

We arrived just in time to catch Oh Sleeper's short 5 song set, but it was amazing. These guys are so good, i'm surprised they don't have more of a following. Anyway they totally rocked and the crowd was really into them, it was the first thing i noticed about the Minnesota scene, everyone was packed in front of the stage and rocking out even for the opening band, it was pretty cool. Oh Sleeper opened with Charlatan's Host, followed by Building the Nations and then We Are The Archers. They played We Will Welcome the Reaping and then closed with Vices Like Vipers which everyone in the crowd seemed to know. I wish they would have played Siren's Song, but maybe next time.

Next up was My Children My Bride, i'm not really impressed by them so Alan and I headed over to Quizno's for some food, i don't think we missed much.

Next up was the Showdown. These guys were awesome, i've been listening to them for awhile and i haven't figured out if i actually like the music, or if i just like the novelty of an 80's metal christian band. They have an old-school sound, guitar solo's and heavy vocals, and the singer looks like he hasn't left the basement since 1987. They all have super-long hair which was used for synchronized head-banging and dryer-cycle hair swinging. The lead singer donned a tank top and said things like "This is for all you thrashers out there" and "keep it real, keep it rude. Heavy metal is for life". They were very impressive musically, especially for only having one guitarist, and they had everyone in the place rocking out and doing a motion that could be described as "tickling a baby"; basically put your hands out in front of you and make the motion like you're tickling a baby, now raise those fingers high in the air and now you're summoning the guitar soloing gods.

Speaking of guitars, the guitarist had a V-shaped guitar that had a Confederate flag on it, it was hilarious. Basically just think of every bad stereotype you think of then you think of 80's metal and these guys were it, and it rocked. The songs i recognized were Backbreaker, The Hammer of the Gods, and I Am Vengeance.

After that it was Haste the Day. I've seen these guys 3 times now and each time something is up with the sound/volume. The overall sound was at least 25% less than the Showdown. It was so quiet in fact that i ventured to the front of stage, where it was still quiet. Nonetheless it was still a great set, i just wish it was loud enough to sing/scream along. They played most of the usual songs, with 68 and Mad Man from the new album. They played White Collar, Pressure the Hinges, Minor Prophets, Walk On, Blue 42, American Love and finally, When Everything Falls. The crowd response was great, especially on the sing-alongs parts of American Love and When Everything Falls.

Last up was the "almighty" Norma Jean. I don't really listen to these guys much, so i was open to being convinced of their "almighty" title. They delivered! They came out on the stage to some movie clip, all the lights were off , and you could just feel the energy in the room. I would describe their live show as sensory overload, lights on the stage were flashing the whole time and the volume was easily the loudest thing i've ever heard, ever. It was so loud in fact, that i moved from the main floor to the bar, i was starting to get sick from the volume. From the bar though i could really hear the music and actually get a feel for Norma Jean since i didn't know their songs. They were awesome, 2-3 guitars, broken bass pedals, guest vocals from My Children My Bride and Haste the Day, a kid with a walker in the most-pit, and best of all, they got the plug pulled on them! The lead singer climbed the speaker-stack during the encore, Memphis Laid to Waste, and the security guys turned the power off. It was awesome, the drummer kept playing but you couldn't hear anything else.

Alan, a big fan of Norma Jean, said the show was pretty good, nothing amazing though. He said they played quite a few songs from the newest album, the Anti-mother, and listed off their set including Shotgun Message, Robots 3 Humans 0, Blueprints For Future Homes, Songs Sound Much Sadder, Birth of the Anti-Mother and quite a few others. I have been listening to these guys a lot more since the show, i'm converted!

Anyway, this was a great night, the venue Station 4 was awesome, very intimate and very loud. The crowd was great, summoning the guitar gods and climbing the walls and going crazy. All of the bands played very well, and the show, which started at 530p was over by by 945p which is very early by my standards, but since Alan got lost on the way home we needed the extra time!

here's a playlist of each of the bands that played, and their best song live so check them out: